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SPECTACLE OF DISSENT
Dissent.14—Crimson Veil, Dixie Noir, and the Old South w/ John Slaughter
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Dissent.14—Crimson Veil, Dixie Noir, and the Old South w/ John Slaughter

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Welcome, welcome to another episode of dog and pony show’s SPECTACLE OF DISSENT featuring a very special guest, author

of , fresh off the release of his debut novel, Crimson Veil [BUY BOOK] and essay collection, Dispatches from The Old South Repository [ALSO BUY BOOK]

John and I had a grade A conversation about the South, his artistic process, and writing generally. I think you’ll really enjoy this one.

Without further ado, Dissent.14 featuring John Slaughter:

  • Introductions

  • John's debut novel Crimson Veil and the emerging genre of “Dixie Noir”

  • Exploration of Dixie Noir as a literary movement

  • John’s background: from college writing to Substack essays

  • How John transitioned from history essays ("American Samurai") to fiction writing

  • The role of Substack in giving independent writers a platform

  • Reflections on writing community growth among right-wing and fringe writers

  • How John’s wife encouraged him to start publishing his thoughts

  • Early struggles and evolution of Substack as a cultural hub post-2020

  • John’s writing method: organic storytelling versus strict plotting

  • How balancing family, work, and writing shaped the timeline of Crimson Veil

  • Research inspiration: Phenix City, Alabama and its history as "Sin City"

  • Influence of the Dixie Mafia and postwar corruption on the novel

  • Reality behind the novel’s big plot twist — stranger than fiction

  • Historical backdrop: General Patton threatening to destroy Phenix City

  • Discussion of Albert Patterson’s assassination and his son's political rise

  • Connections between Phenix City's fall and organized crime migration to Tennessee

  • Discussion of Walking Tall film and its link to Phoenix City's aftermath

  • Writing about the South's post-World War II transitional period

  • The overlooked richness of the late 1940s-early 1950s Southern setting

  • Cultural and psychological impact of returning WWII soldiers on small towns

  • How soldiers' trauma fueled vice economies like gambling and prostitution

  • Discussion of Southern political culture and showmanship

  • Introduction to political scientist V.O. Key and his study Southern Politics in State and Nation

  • Florida’s rural, undeveloped postwar political landscape

  • Plans for Crimson Veil sequel exploring Florida’s underbelly

  • Challenges and rewards of setting fiction in transitional historical periods

  • The struggle of writing contemporary fiction versus historical settings

  • The haunting nature of the South and its connection to generational trauma

  • Parallels between the Southern literary tradition and Russian literature’s intensity

  • Reflections on suffering and great storytelling (South, Russia)

  • Discussion of Margaret Mitchell and Thomas Dixon’s influence on Southern narratives

  • America’s strong but often underappreciated literary tradition

  • The idea of the novel "moving" across cultures and times (Russia, England, South America, U.S.)

  • Publishing frustrations: quality control issues in Amazon self-publishing

  • Challenges of reaching an audience amidst digital smut and low attention spans

  • Importance of continuing serious literary work despite market pressures

  • Revival of serious writing as a cultural renaissance opportunity

  • Influence of Cormac McCarthy, especially blending Southern Gothic and Western genres

  • Comparison of Tolstoy vs. Dostoevsky: storytelling styles and personal impact

  • John’s endorsement of Anna Karenina over War and Peace as a starting point

  • Reading Russian literature: challenges with character overload and nicknames

  • Mention of The Master and Margarita by Bulgakov as a surreal Russian classic

  • Discussion of Nabokov’s Lolita and the difficulty of handling dark subject matter

  • The necessity of subtlety and hidden critique in oppressive political environments

  • How constraints often produce better, more enduring art

  • Final reflections on writing for posterity rather than immediate fame or fortune

  • I invite John to come join dog and pony show’s Writer’s Workshop—come join us!!

  • fin

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